Francis Estrada
Curated Exhibition

Storm

One year after Super Typhoon Haiyan, “Storm” chronicles the creativity generated despite and beyond Haiyan's destruction. Left: Francis Estrada, "Sayaw," 2010.

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curated exhibition

Storm: A Typhoon Haiyan Recovery Project

What survives in the wake of a storm? One year after Super Typhoon Haiyan, Storm assembles a community of responders. Storm chronicles the creativity generated despite and beyond Haiyan's destruction.

 

The Philippines is exposed to about nineteen tropical cyclones per year. But in November 2013 Typhoon Haiyan became the worst disaster in the history of the Philippines. Haiyan killed more than 6,300 people, cost over $2 billion in damages, and affected over 16 million people.  

 

Our world increasingly is defined by disasters. We have witnessed catastrophes of apocalyptic proportions from storms like Haiyan and Katrina (United States 2005) to earthquakes like Fukushima (Japan 2011) and Port-au-Prince  (Haiti 2010).  During our curatorial process, some of the contributors to this exhibition faced new storms like Typhoons Rammasun, Fung Wong, and Vong Fong.

 

So this is not another moment of silence. We honor the dead with the noise of discontent. We also strive to reflect the radical love that propels efforts to support our kababayan. Little by little, each gesture of hope decenters the typhoon. Each act of hope reveals the people’s determination to recover.

 

Immerse yourself in the different dimensions of the healing process. From scholarly structural critiques to youth-initiated fundraisers. From poetic and musical renditions of collective grief to Hip Hop flash mobs to raise awareness.

 

Celebrate the indomitable human spirit and kapwa never lost in the flood.

 

Co-curated by Johanna F. Almiron and J. Lorenzo Perillo.

November 2014

 

For more information about community organizations that continue to help in the relief effort, navigate to the National Alliance for Filipino Concerns at http://nafconusa.org/ and CARE at http://care.org/emergencies/typhoon-haiyan.

 

Contributors:

Chelo A. and Xien How

Amanda Solomon Amorao

Christian Almiron of Gentei Kaijo

Jennifer Almiron

Ray Basa and Raffy Piamonte

Nana Buxani

Jeff Arellano Cabusao

Critical Filipina/Filipino Studies Collective

Francesco Conte

Franz DG

Rodrigo de la Peña

Hannah Dormido

Hip Hop Dance Association

Francis Estrada

Joel Kahn

Joseph Legaspi

Dindo Llana

Enrico Maniago

Isabel Manalo

Alex Orquiza

Lordy Rodriguez

Robyn Rodriguez

Catcher, Carver and Jhoanna Salazar

E. San Juan Jr.

Janice Sapigao

Melissa Sipin


Special thanks to: the American Studies Association, Valerie Francisco, Erwin Mendoza, Anna Sarao, Gina Rosales, Emerson Aquino, Arnel Calvario, Kim Alidio, National Alliance for Filipino Concerns, and Father Alvin Cabacang.

Authority Figures

Francis Estrada

2012 Gouache, collage, and gold leaf on paper 7" x 9" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

Comfort the Lonely

Francis Estrada

2012 Gouache, collage, and vellum on paper 5.5" x 7.5" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

Sayaw

Francis Estrada

2010 Charcoal on paper 18" x 24" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

Bulaklak

Francis Estrada

2012 Gouache, charcoal, and gold leaf on paper 5.5" x 7.5" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

Memories (what I may not have forgotten to remember)

Francis Estrada

2013 Gouache and charcoal on paper 9" x 7" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

We're Off to See the Wizard

Francis Estrada

2012 Gouache, collage, and gold leaf on paper 7" x 9" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

He is Not Eating for Love of You

Francis Estrada

2012 Gouache, collage, charcoal, and gold leaf on paper 7" x 9" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

Their Pretty Ways

Francis Estrada

2012 Vellum and collage on paper 7.5" x 5.5" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

Bloodless

Francis Estrada

2012 Gouache and collage on paper 5.5" x 7.5" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X

Sampal-OK

Francis Estrada

2014 Gouache, collage, charcoal, and gold leaf on paper and vellum 11" x 14" Courtesy of the artist

contributor

X

Francis Estrada

b. 1975

I investigate relationships between characters and their environment. I incorporate pieces of personal, historic and/or ethnographic photographs, text, and motifs (most of which broach the combined themes of history, sentimentality, and nostalgia).  Using some or all of these pieces, I compose scenarios with which I find personal connections then arrange them without providing a complete image or narrative. By de-contextualizing visual images (figures, symbols, motifs) from their original source, I attempt to create an ambiguous space for the viewer to complete. I interrogate how context is created through combinations of these visual elements.  How does the viewer identify with the images presented, and does the composition create a narrative?  How do the combinations of images create notions of space, place, history, identity, or memory?  By creating drawings that assimilate text, photographic reproductions, and symbols, I provide the viewer with a space in which they can decipher the visual clues and “complete” the work.

 

My art is a tool through which I confront how our understandings of culture are mediated, and the methods through which history and memory are created and perpetuated. I think of my work as "partial portraits" that are activated by the viewer.

 

I believe that my work speaks to the theme of Storm: A Typhoon Haiyan Recovery Project by connecting to how the media represented the country through images from the aftermath of the storm.  Also, various fundraising events brought out a vast array of artists and performers who used their talent to share Filipino customs (dance, song, martial arts).  Between the media and these events, people were able to see and experience various aspects of Filipino culture.  I feel that my drawings similarly portray various aspects of Philippine culture through the images that I choose to show. 

location

X
  • Born: Manila, Philippines
  • Based: Brooklyn, NY, USA

comments

X