Rolando B. Tolentino

b. 1964

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Rolando B. Tolentino is Dean of the University of the Philippines College of Mass Communication and faculty of the University of the Philippines Film Institute.  He has taught at Osaka University and the National University of Singapore, has been a Distinguished Visitor at the University of California, Berkeley, and at the University of California, Los Angeles Southeast Asian Studies Consortium, and a recipient of the Obermann Summer Research Fellowship.  He is the author of National/Transnational: Subject Formation and Media in and on the Philippines (Ateneo University Press, 2001), and the editor of positions’ special issue “Vaginal Economy: Cinema and Sexuality in the Post-Marcos Post-Brocka Philippines” ( 2011), and Geopolitics of the Visible: Essays on Philippine Film Cultures (Ateneo University Press, 2002).  He is a member of the Manunuri ng Pelikulang Pilipino (Filipino Film Critics Group) and chairs the Congress of Teachers and Educators for Nationalism and Democracy (CONTEND-UP).

Photograph by Piya Constantino.

Bodies, Letters, Catalogs: Filipinas in Transnational Space

Rolando B. Tolentino

1996 Criticism 27 pages. Courtesy of Duke University Press.

Social Text 14.3 (Fall 1996): 49-76.

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Rolando B. Tolentino

b. 1964
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Rolando B. Tolentino is Dean of the University of the Philippines College of Mass Communication and faculty of the University of the Philippines Film Institute.  He has taught at Osaka University and the National University of Singapore, has been a Distinguished Visitor at the University of California, Berkeley, and at the University of California, Los Angeles Southeast Asian Studies Consortium, and a recipient of the Obermann Summer Research Fellowship.  He is the author of National/Transnational: Subject Formation and Media in and on the Philippines (Ateneo University Press, 2001), and the editor of positions’ special issue “Vaginal Economy: Cinema and Sexuality in the Post-Marcos Post-Brocka Philippines” ( 2011), and Geopolitics of the Visible: Essays on Philippine Film Cultures (Ateneo University Press, 2002).  He is a member of the Manunuri ng Pelikulang Pilipino (Filipino Film Critics Group) and chairs the Congress of Teachers and Educators for Nationalism and Democracy (CONTEND-UP).

Photograph by Piya Constantino.

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  • Born: Manila, Philippines
  • Based: Quezon City, Philippines

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