The "American imperial photography complex" is an archive that "shaped events and ideas" associated with U.S. empire in the Philippines. — Nerissa Balce40 works
As the ambiguity of “carework” suggests, Filipinos care for the physical well-being of their employers and also those employers’ emotional and psychic lives.18 works
“Citizenship is not just a matter of formal legal status; it is a matter of belonging...” ---Evelyn Nakano Glenn41 works
At a nexus of colonialism and neocolonialism for five centuries, Filipinos confront the legacies of colonial and imperial engagement in their daily lives.75 works
"Filipinos ... did not necessarily move through borders, but rather, borders continually enfolded them.” --- Allan Punzalan Isaac65 works
How have digital and new media technologies created new social and creative possibilities that have transformed the lives of Filipinos and others around the world?32 works
"[Slow violence] is neither spectacular nor instantaneous [but plays out in] a host of other slowly unfolding environmental catastrophes." --- Rob Nixon89 works
“The bare brown bosoms ... were markers of savagery, colonial desire, and a justification for Western imperial rule.” --- Nerissa Balce86 works
"We had to find some way not only of retaining, but rediscovering, our culture." -- Joel Jacinto, Kayamanan ng Lahi performing arts group7 works
A “labor brokerage state ... actively prepares, mobilizes, and regulates its citizens for migrant work abroad.” --- Robyn Magalit Rodriguez66 works
"All foreign influences were not adopted outright, but adapted ... just as they were transformed in other areas of culture ..." - Doreen Fernandez, "Why Sinigang?"22 works
"Remembering and telling the truth about terrible events are prerequisites both for the restoration of the social order and for the healing of individual victims." --- Judith...20 works
"Queerness is that thing that lets us feel that this world is not enough, that indeed something is missing." --- José Esteban Muñoz95 works
"The white man is very clever. He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay." --- Chinua Achebe2 works
Filipinos transform, deliberately and accidentally, the spaces that they enter and leave, unsettling national imaginaries and material spaces.24 works
Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.
Photograph by Lindsay Borden.
My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.
I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.
Rachel Ishikawa, CA+T Interviews Kat Larson, July 15, 2015.