curated exhibition

Sea, Land, Air: Migration and Labor

Filipinos work everywhere. On the high seas, up in the air, and on the ground. Nurse, sailor, singer, farmer, teacher, maid. These are the icons of globalized Filipino labor today. But where do they come from?

 

“Sea, Land, Air: Migration and Labor” locates these icons in the circuits of labor that emanate from the Philippines’ and its diaspora’s colonial and imperial histories. At the same time, the exhibition questions what is truthful and what is fictional in the narration of these imperial relations.

 

Over the summer of 2013, we unfolded “Sea, Land, Air” in groups designed to highlight the connections and complications that the scholarly and creative works collected here illuminate.

 

Scroll down. Explore. Comment on this rich mixture of creative and scholarly works that together reveal the global processes of economic and psychic transformation that all contemporary subjects—not just Filipinos—face. Return.

 

Co-curators: Jan Christian Bernabe and Sarita Echavez See.

 

Contributors: Filomeno V. Aguilar • Kimberly Alidio • Matthew Andrews • Michael Arcega • Tanya Bindra • Jason Cabañes • Zean Cabangis • Clement Camposano • Lonnie Carter • Catherine Ceniza Choy • Denise Cruz • Deirdre de la Cruz • Vince Diaz • Michelle Dizon • Kale Bantigue Fajardo • Theodore S. Gonzalves • Mik Gaspay • Jason Gavilan • Mark Johnson • Kat Larson • Miguel Libarnes • Claudia Liebelt • R. Zamora Linmark • Mirca Madianou • Wawi Navarroza • Jonathan C. Ong • Enrique G. Oracion, Ph.D. • Elizabeth H. Pisares • Eric Estuar Reyes • Dylan Rodriguez • Lordy Rodriguez • Robyn Magalit Rodriguez • Sarita See • Harrod Suarez • Nobue Suzuki • Stephanie Syjuco • Rolando Tolentino • Karen Tongson • Jenifer K. Wofford

 

Find the unabridged version of the curatorial statement HERE.

Nurse (Toreador)

Jenifer K. Wofford

2006 - 2007 Ink on paper from the Nurse series

contributor

X

Jenifer K. Wofford

Jenifer K. Wofford is a Filipina-American artist and educator based in the San Francisco Bay Area. She is also one third of the manic, brilliant, highly delusional artist trio Mail Order Brides/M.O.B. She was born in San Francisco, California and raised in Hong Kong, China, the United Arab Emirates, and Malaysia. She received her B.F.A. from the San Francisco Art Institute, and her M.F.A. from University of California, Berkeley.

Her work has been exhibited in California’s San Francisco Bay Area at the Berkeley Art Museum, the Yerba Buena Center for the Arts, Oakland Museum of California, Southern Exposure Museum/Art Gallery, and Kearny Street Workshop; nationally at New Image Art (Los Angeles, California), DePaul Museum (Chicago, Illinois), thirtynine hotel (Honolulu, Hawai’i), and internationally at Future Prospects (Philippines), Galerie Blanche (France), and Osage Gallery Kwun Tong (Hong Kong, China).

Her awards include the Eureka Fellowship and the Murphy Fellowship, and grants from the Art Matters Foundation, the University of California Institute for Research in the Arts, and the Pacific Rim Research Program. She has also undertaken artist residencies at The Living Room, Philippines; KinoKino, Norway; and Bogliaso Foundation, Italy. Wofford was also honored with a 2007 “Goldie” (Guardian Local Discovery) Award from the San Francisco Bay Guardian.

Happily, I have no quick, one-word answer to the “what kind of art do you make” question: the questions that provoke my projects necessitate varied approaches, from visual and performance strategies to teaching and curatorial work. My work often plays with notions of difference, hybridity, liminality and authenticity. It’s often governed by the creative slapstick that occurs when aesthetic values blunder into cultural frictions and global inequities. I do what I can to make work that is absurd, irreverent, imaginative, honest and political, employing as many strategies as seem appropriate.

Most of my creative logic is governed by a global positionality that’s the result of a mixed Filipino/American family, a Third-Culture childhood in Hong Kong, the United Arab Emirates and Malaysia; an adulthood in diverse California; and a lifetime of international and intercultural experience. It’s also shaped by years as an educator, working with a tremendous diversity of students and communities. For all of these reasons, I am committed to a practice that engages a multiplicity of voices often unheard or under-represented in the arts.

Collaboration and camaraderie are integral parts of my practice: my projects often involve friends and strangers in all manner of creatively weird situations. I do not particularly consider myself an artist in isolation: the most satisfying work I’ve made has involved exchange, sharing, joking, and cooperation. It makes things more relevant, and more fun, immediately.

location

X
  • Born: San Francisco, CA, USA
  • Based: San Francisco, CA, USA
  • Also Based in: Los Angeles, CA, USA
    Oakland, CA, USA

comments

X

Nurse (Curtain)

Jenifer K. Wofford

2006 - 2007 Ink on paper from the Nurse series

contributor

X

Jenifer K. Wofford

Jenifer K. Wofford is a Filipina-American artist and educator based in the San Francisco Bay Area. She is also one third of the manic, brilliant, highly delusional artist trio Mail Order Brides/M.O.B. She was born in San Francisco, California and raised in Hong Kong, China, the United Arab Emirates, and Malaysia. She received her B.F.A. from the San Francisco Art Institute, and her M.F.A. from University of California, Berkeley.

Her work has been exhibited in California’s San Francisco Bay Area at the Berkeley Art Museum, the Yerba Buena Center for the Arts, Oakland Museum of California, Southern Exposure Museum/Art Gallery, and Kearny Street Workshop; nationally at New Image Art (Los Angeles, California), DePaul Museum (Chicago, Illinois), thirtynine hotel (Honolulu, Hawai’i), and internationally at Future Prospects (Philippines), Galerie Blanche (France), and Osage Gallery Kwun Tong (Hong Kong, China).

Her awards include the Eureka Fellowship and the Murphy Fellowship, and grants from the Art Matters Foundation, the University of California Institute for Research in the Arts, and the Pacific Rim Research Program. She has also undertaken artist residencies at The Living Room, Philippines; KinoKino, Norway; and Bogliaso Foundation, Italy. Wofford was also honored with a 2007 “Goldie” (Guardian Local Discovery) Award from the San Francisco Bay Guardian.

Happily, I have no quick, one-word answer to the “what kind of art do you make” question: the questions that provoke my projects necessitate varied approaches, from visual and performance strategies to teaching and curatorial work. My work often plays with notions of difference, hybridity, liminality and authenticity. It’s often governed by the creative slapstick that occurs when aesthetic values blunder into cultural frictions and global inequities. I do what I can to make work that is absurd, irreverent, imaginative, honest and political, employing as many strategies as seem appropriate.

Most of my creative logic is governed by a global positionality that’s the result of a mixed Filipino/American family, a Third-Culture childhood in Hong Kong, the United Arab Emirates and Malaysia; an adulthood in diverse California; and a lifetime of international and intercultural experience. It’s also shaped by years as an educator, working with a tremendous diversity of students and communities. For all of these reasons, I am committed to a practice that engages a multiplicity of voices often unheard or under-represented in the arts.

Collaboration and camaraderie are integral parts of my practice: my projects often involve friends and strangers in all manner of creatively weird situations. I do not particularly consider myself an artist in isolation: the most satisfying work I’ve made has involved exchange, sharing, joking, and cooperation. It makes things more relevant, and more fun, immediately.

location

X
  • Born: San Francisco, CA, USA
  • Based: San Francisco, CA, USA
  • Also Based in: Los Angeles, CA, USA
    Oakland, CA, USA

comments

X

Nurse (Floater)

Jenifer K. Wofford

2006 - 2007 Ink on paper from the Nurse series

contributor

X

Jenifer K. Wofford

Jenifer K. Wofford is a Filipina-American artist and educator based in the San Francisco Bay Area. She is also one third of the manic, brilliant, highly delusional artist trio Mail Order Brides/M.O.B. She was born in San Francisco, California and raised in Hong Kong, China, the United Arab Emirates, and Malaysia. She received her B.F.A. from the San Francisco Art Institute, and her M.F.A. from University of California, Berkeley.

Her work has been exhibited in California’s San Francisco Bay Area at the Berkeley Art Museum, the Yerba Buena Center for the Arts, Oakland Museum of California, Southern Exposure Museum/Art Gallery, and Kearny Street Workshop; nationally at New Image Art (Los Angeles, California), DePaul Museum (Chicago, Illinois), thirtynine hotel (Honolulu, Hawai’i), and internationally at Future Prospects (Philippines), Galerie Blanche (France), and Osage Gallery Kwun Tong (Hong Kong, China).

Her awards include the Eureka Fellowship and the Murphy Fellowship, and grants from the Art Matters Foundation, the University of California Institute for Research in the Arts, and the Pacific Rim Research Program. She has also undertaken artist residencies at The Living Room, Philippines; KinoKino, Norway; and Bogliaso Foundation, Italy. Wofford was also honored with a 2007 “Goldie” (Guardian Local Discovery) Award from the San Francisco Bay Guardian.

Happily, I have no quick, one-word answer to the “what kind of art do you make” question: the questions that provoke my projects necessitate varied approaches, from visual and performance strategies to teaching and curatorial work. My work often plays with notions of difference, hybridity, liminality and authenticity. It’s often governed by the creative slapstick that occurs when aesthetic values blunder into cultural frictions and global inequities. I do what I can to make work that is absurd, irreverent, imaginative, honest and political, employing as many strategies as seem appropriate.

Most of my creative logic is governed by a global positionality that’s the result of a mixed Filipino/American family, a Third-Culture childhood in Hong Kong, the United Arab Emirates and Malaysia; an adulthood in diverse California; and a lifetime of international and intercultural experience. It’s also shaped by years as an educator, working with a tremendous diversity of students and communities. For all of these reasons, I am committed to a practice that engages a multiplicity of voices often unheard or under-represented in the arts.

Collaboration and camaraderie are integral parts of my practice: my projects often involve friends and strangers in all manner of creatively weird situations. I do not particularly consider myself an artist in isolation: the most satisfying work I’ve made has involved exchange, sharing, joking, and cooperation. It makes things more relevant, and more fun, immediately.

location

X
  • Born: San Francisco, CA, USA
  • Based: San Francisco, CA, USA
  • Also Based in: Los Angeles, CA, USA
    Oakland, CA, USA

comments

X

contributor

X

Catherine Ceniza Choy

Catherine Ceniza Choy is Professor and Department Chair of Ethnic Studies at the University of California, Berkeley. She is the author of the award-winning book Empire of Care: Nursing and Migration in Filipino American History (Duke University Press, 2003) and the forthcoming book Global Families: A History of Asian International Adoption in America (New York University Press, 2013).  Catherine is a second-generation Filipino American born and raised in New York City. She received her Ph.D. in History from UCLA.

location

X
  • Born: New York, NY, USA
  • Based: Berkeley, CA, USA

comments

X

for the fortunes you've made

Wawi Navarroza

2009 Durst Lambda photograph 8 in. x 12 in. Editions of 10 + 3 AP From the Perhaps It Was Possibly Because series

contributor

X

Wawi Navarroza

b. 1979
image description
  • See All Works

Wawi Navarroza is a photographer/multi-disciplinary artist from Manila, Philippines. She graduated with a Bachelor of Arts degree from De La Salle University, Manila and attended continuing education at the International Center of Photography, New York. Recently, Navarroza completed her scholarship at the Istituto Europeo di Design, Madrid under the program European Master of Fine Art Photography.

Her work with contemporary photography has taken shape in highly-stylized symbolic mise-en-scène and tableau vivants, shifting to her more recent interest in landscape, constructed still life, and installation. Her landscape photographs propose a familiar 'other place' that opens up to fabricated emotional space that seems to be carved out by both personal and collective memory and amnesia.

Navarroza has exhibited widely in the Philippines and internationally. She has participated at the 2012 Tokyo Month of Photography, presented by Tokyo Metropolitan Museum of Photography; the Asian Art Biennale, in Taichung, Taiwan (2011); the annual touring exhibition "CUT: New Photography from South East Asia," by Valentine Willie Fine Art (VWFA) Kuala Lumpur; ASEAN-Korea’s "Emerging Wave" Asian Contemporary Photography Exhibition in Seoul, Korea (2010); and "Verso Manila: contemporary art from the Philippines" in Turin, Italy (2009). She has also been shown at Angkor Photography Festival Cambodia, Noorderlicht Photography Festival Holland, and PhotoIreland.

Recent solo exhibits include "ULTRAMAR, Pt.1: Gathered Throng, Falling Into Place" (2012) and "Dominion" (2011), at Silverlens Gallery, Manila, and "On Landscapes and Some Dislocations" at Galería Patrick Domken, Cadaqués, Spain. She has received a number of awards, such as the Cultural Center of the Philippines' Thirteen Artists Awards Triennial (2012), Lumi Photographic Art Awards, Helsinki (2011), and she was a finalist for the prestigious Sovereign Asian Art Prize (2011) and Singapore Museum Signature Art Prize (2011). Other awards include International Photography Awards (2010), Portfolio Preis (2010, Germany), and Prix de la Photographie Paris (2009). She has staged two award-winning solo exhibitions: “POLYSACCHARIDE: The Dollhouse Drama” (2005) and “SATURNINE: A Collection of Portraits, Creatures, Glass, and Shadow” (2007), which was cited Winner at the Ateneo Art Awards 2007, Philippines. In 2009, Navarroza was awarded the first Asian Cultural Council-Silverlens Fellowship Grant to further her research and practice in New York City.

Her work has been shown in institutions such as the National Museum of the Philippines, Metropolitan Museum of Manila, Mongolian National Modern Art Gallery, Hangaram Museum, Korea, National Museum of Fine Arts, Taichung, Taiwan, and Fries Museum of Contemporary Art, Netherlands.

Navarroza has also worked as a lecturer of photography at De La Salle University and as an independent curator. She also sings for a post-punk rock band called The Late Isabel. In the past few years she has based herself in Madrid, Barcelona and Cadaqués, Spain. Currently, Navarroza is working and living in Manila, Philippines.

Photograph by Gabby Cantero.

location

X
  • Born: Manila, Philippines
  • Based: Manila, Philippines

comments

X

Even at the moment you know there's time to travel through it again

Wawi Navarroza

2009 Durst Lambda photograph 8 in. x 12 in. Editions of 10 + 3 AP From the Perhaps It Was Possibly Because series

contributor

X

Wawi Navarroza

b. 1979
image description
  • See All Works

Wawi Navarroza is a photographer/multi-disciplinary artist from Manila, Philippines. She graduated with a Bachelor of Arts degree from De La Salle University, Manila and attended continuing education at the International Center of Photography, New York. Recently, Navarroza completed her scholarship at the Istituto Europeo di Design, Madrid under the program European Master of Fine Art Photography.

Her work with contemporary photography has taken shape in highly-stylized symbolic mise-en-scène and tableau vivants, shifting to her more recent interest in landscape, constructed still life, and installation. Her landscape photographs propose a familiar 'other place' that opens up to fabricated emotional space that seems to be carved out by both personal and collective memory and amnesia.

Navarroza has exhibited widely in the Philippines and internationally. She has participated at the 2012 Tokyo Month of Photography, presented by Tokyo Metropolitan Museum of Photography; the Asian Art Biennale, in Taichung, Taiwan (2011); the annual touring exhibition "CUT: New Photography from South East Asia," by Valentine Willie Fine Art (VWFA) Kuala Lumpur; ASEAN-Korea’s "Emerging Wave" Asian Contemporary Photography Exhibition in Seoul, Korea (2010); and "Verso Manila: contemporary art from the Philippines" in Turin, Italy (2009). She has also been shown at Angkor Photography Festival Cambodia, Noorderlicht Photography Festival Holland, and PhotoIreland.

Recent solo exhibits include "ULTRAMAR, Pt.1: Gathered Throng, Falling Into Place" (2012) and "Dominion" (2011), at Silverlens Gallery, Manila, and "On Landscapes and Some Dislocations" at Galería Patrick Domken, Cadaqués, Spain. She has received a number of awards, such as the Cultural Center of the Philippines' Thirteen Artists Awards Triennial (2012), Lumi Photographic Art Awards, Helsinki (2011), and she was a finalist for the prestigious Sovereign Asian Art Prize (2011) and Singapore Museum Signature Art Prize (2011). Other awards include International Photography Awards (2010), Portfolio Preis (2010, Germany), and Prix de la Photographie Paris (2009). She has staged two award-winning solo exhibitions: “POLYSACCHARIDE: The Dollhouse Drama” (2005) and “SATURNINE: A Collection of Portraits, Creatures, Glass, and Shadow” (2007), which was cited Winner at the Ateneo Art Awards 2007, Philippines. In 2009, Navarroza was awarded the first Asian Cultural Council-Silverlens Fellowship Grant to further her research and practice in New York City.

Her work has been shown in institutions such as the National Museum of the Philippines, Metropolitan Museum of Manila, Mongolian National Modern Art Gallery, Hangaram Museum, Korea, National Museum of Fine Arts, Taichung, Taiwan, and Fries Museum of Contemporary Art, Netherlands.

Navarroza has also worked as a lecturer of photography at De La Salle University and as an independent curator. She also sings for a post-punk rock band called The Late Isabel. In the past few years she has based herself in Madrid, Barcelona and Cadaqués, Spain. Currently, Navarroza is working and living in Manila, Philippines.

Photograph by Gabby Cantero.

location

X
  • Born: Manila, Philippines
  • Based: Manila, Philippines

comments

X

little chance in the industry to put your feet up

Wawi Navarroza

2009 Durst Lambda photograph 12 in. x 18 in. Editions of 10 + 3 AP From the Perhaps It Was Possibly Because series

contributor

X

Wawi Navarroza

b. 1979
image description
  • See All Works

Wawi Navarroza is a photographer/multi-disciplinary artist from Manila, Philippines. She graduated with a Bachelor of Arts degree from De La Salle University, Manila and attended continuing education at the International Center of Photography, New York. Recently, Navarroza completed her scholarship at the Istituto Europeo di Design, Madrid under the program European Master of Fine Art Photography.

Her work with contemporary photography has taken shape in highly-stylized symbolic mise-en-scène and tableau vivants, shifting to her more recent interest in landscape, constructed still life, and installation. Her landscape photographs propose a familiar 'other place' that opens up to fabricated emotional space that seems to be carved out by both personal and collective memory and amnesia.

Navarroza has exhibited widely in the Philippines and internationally. She has participated at the 2012 Tokyo Month of Photography, presented by Tokyo Metropolitan Museum of Photography; the Asian Art Biennale, in Taichung, Taiwan (2011); the annual touring exhibition "CUT: New Photography from South East Asia," by Valentine Willie Fine Art (VWFA) Kuala Lumpur; ASEAN-Korea’s "Emerging Wave" Asian Contemporary Photography Exhibition in Seoul, Korea (2010); and "Verso Manila: contemporary art from the Philippines" in Turin, Italy (2009). She has also been shown at Angkor Photography Festival Cambodia, Noorderlicht Photography Festival Holland, and PhotoIreland.

Recent solo exhibits include "ULTRAMAR, Pt.1: Gathered Throng, Falling Into Place" (2012) and "Dominion" (2011), at Silverlens Gallery, Manila, and "On Landscapes and Some Dislocations" at Galería Patrick Domken, Cadaqués, Spain. She has received a number of awards, such as the Cultural Center of the Philippines' Thirteen Artists Awards Triennial (2012), Lumi Photographic Art Awards, Helsinki (2011), and she was a finalist for the prestigious Sovereign Asian Art Prize (2011) and Singapore Museum Signature Art Prize (2011). Other awards include International Photography Awards (2010), Portfolio Preis (2010, Germany), and Prix de la Photographie Paris (2009). She has staged two award-winning solo exhibitions: “POLYSACCHARIDE: The Dollhouse Drama” (2005) and “SATURNINE: A Collection of Portraits, Creatures, Glass, and Shadow” (2007), which was cited Winner at the Ateneo Art Awards 2007, Philippines. In 2009, Navarroza was awarded the first Asian Cultural Council-Silverlens Fellowship Grant to further her research and practice in New York City.

Her work has been shown in institutions such as the National Museum of the Philippines, Metropolitan Museum of Manila, Mongolian National Modern Art Gallery, Hangaram Museum, Korea, National Museum of Fine Arts, Taichung, Taiwan, and Fries Museum of Contemporary Art, Netherlands.

Navarroza has also worked as a lecturer of photography at De La Salle University and as an independent curator. She also sings for a post-punk rock band called The Late Isabel. In the past few years she has based herself in Madrid, Barcelona and Cadaqués, Spain. Currently, Navarroza is working and living in Manila, Philippines.

Photograph by Gabby Cantero.

location

X
  • Born: Manila, Philippines
  • Based: Manila, Philippines

comments

X

departures, and flying patterns

Wawi Navarroza

2009 Durst Lambda photograph 12 in. x 12 in. Editions of 10 + 3 AP From the Perhaps It Was Possibly Because series

contributor

X

Wawi Navarroza

b. 1979
image description
  • See All Works

Wawi Navarroza is a photographer/multi-disciplinary artist from Manila, Philippines. She graduated with a Bachelor of Arts degree from De La Salle University, Manila and attended continuing education at the International Center of Photography, New York. Recently, Navarroza completed her scholarship at the Istituto Europeo di Design, Madrid under the program European Master of Fine Art Photography.

Her work with contemporary photography has taken shape in highly-stylized symbolic mise-en-scène and tableau vivants, shifting to her more recent interest in landscape, constructed still life, and installation. Her landscape photographs propose a familiar 'other place' that opens up to fabricated emotional space that seems to be carved out by both personal and collective memory and amnesia.

Navarroza has exhibited widely in the Philippines and internationally. She has participated at the 2012 Tokyo Month of Photography, presented by Tokyo Metropolitan Museum of Photography; the Asian Art Biennale, in Taichung, Taiwan (2011); the annual touring exhibition "CUT: New Photography from South East Asia," by Valentine Willie Fine Art (VWFA) Kuala Lumpur; ASEAN-Korea’s "Emerging Wave" Asian Contemporary Photography Exhibition in Seoul, Korea (2010); and "Verso Manila: contemporary art from the Philippines" in Turin, Italy (2009). She has also been shown at Angkor Photography Festival Cambodia, Noorderlicht Photography Festival Holland, and PhotoIreland.

Recent solo exhibits include "ULTRAMAR, Pt.1: Gathered Throng, Falling Into Place" (2012) and "Dominion" (2011), at Silverlens Gallery, Manila, and "On Landscapes and Some Dislocations" at Galería Patrick Domken, Cadaqués, Spain. She has received a number of awards, such as the Cultural Center of the Philippines' Thirteen Artists Awards Triennial (2012), Lumi Photographic Art Awards, Helsinki (2011), and she was a finalist for the prestigious Sovereign Asian Art Prize (2011) and Singapore Museum Signature Art Prize (2011). Other awards include International Photography Awards (2010), Portfolio Preis (2010, Germany), and Prix de la Photographie Paris (2009). She has staged two award-winning solo exhibitions: “POLYSACCHARIDE: The Dollhouse Drama” (2005) and “SATURNINE: A Collection of Portraits, Creatures, Glass, and Shadow” (2007), which was cited Winner at the Ateneo Art Awards 2007, Philippines. In 2009, Navarroza was awarded the first Asian Cultural Council-Silverlens Fellowship Grant to further her research and practice in New York City.

Her work has been shown in institutions such as the National Museum of the Philippines, Metropolitan Museum of Manila, Mongolian National Modern Art Gallery, Hangaram Museum, Korea, National Museum of Fine Arts, Taichung, Taiwan, and Fries Museum of Contemporary Art, Netherlands.

Navarroza has also worked as a lecturer of photography at De La Salle University and as an independent curator. She also sings for a post-punk rock band called The Late Isabel. In the past few years she has based herself in Madrid, Barcelona and Cadaqués, Spain. Currently, Navarroza is working and living in Manila, Philippines.

Photograph by Gabby Cantero.

location

X
  • Born: Manila, Philippines
  • Based: Manila, Philippines

comments

X

I think about that conversation

Wawi Navarroza

2009 Durst Lambda photograph 11 in. x 14 in. Editions of 10 + 3 AP From the Perhaps It Was Possibly Because series

contributor

X

Wawi Navarroza

b. 1979
image description
  • See All Works

Wawi Navarroza is a photographer/multi-disciplinary artist from Manila, Philippines. She graduated with a Bachelor of Arts degree from De La Salle University, Manila and attended continuing education at the International Center of Photography, New York. Recently, Navarroza completed her scholarship at the Istituto Europeo di Design, Madrid under the program European Master of Fine Art Photography.

Her work with contemporary photography has taken shape in highly-stylized symbolic mise-en-scène and tableau vivants, shifting to her more recent interest in landscape, constructed still life, and installation. Her landscape photographs propose a familiar 'other place' that opens up to fabricated emotional space that seems to be carved out by both personal and collective memory and amnesia.

Navarroza has exhibited widely in the Philippines and internationally. She has participated at the 2012 Tokyo Month of Photography, presented by Tokyo Metropolitan Museum of Photography; the Asian Art Biennale, in Taichung, Taiwan (2011); the annual touring exhibition "CUT: New Photography from South East Asia," by Valentine Willie Fine Art (VWFA) Kuala Lumpur; ASEAN-Korea’s "Emerging Wave" Asian Contemporary Photography Exhibition in Seoul, Korea (2010); and "Verso Manila: contemporary art from the Philippines" in Turin, Italy (2009). She has also been shown at Angkor Photography Festival Cambodia, Noorderlicht Photography Festival Holland, and PhotoIreland.

Recent solo exhibits include "ULTRAMAR, Pt.1: Gathered Throng, Falling Into Place" (2012) and "Dominion" (2011), at Silverlens Gallery, Manila, and "On Landscapes and Some Dislocations" at Galería Patrick Domken, Cadaqués, Spain. She has received a number of awards, such as the Cultural Center of the Philippines' Thirteen Artists Awards Triennial (2012), Lumi Photographic Art Awards, Helsinki (2011), and she was a finalist for the prestigious Sovereign Asian Art Prize (2011) and Singapore Museum Signature Art Prize (2011). Other awards include International Photography Awards (2010), Portfolio Preis (2010, Germany), and Prix de la Photographie Paris (2009). She has staged two award-winning solo exhibitions: “POLYSACCHARIDE: The Dollhouse Drama” (2005) and “SATURNINE: A Collection of Portraits, Creatures, Glass, and Shadow” (2007), which was cited Winner at the Ateneo Art Awards 2007, Philippines. In 2009, Navarroza was awarded the first Asian Cultural Council-Silverlens Fellowship Grant to further her research and practice in New York City.

Her work has been shown in institutions such as the National Museum of the Philippines, Metropolitan Museum of Manila, Mongolian National Modern Art Gallery, Hangaram Museum, Korea, National Museum of Fine Arts, Taichung, Taiwan, and Fries Museum of Contemporary Art, Netherlands.

Navarroza has also worked as a lecturer of photography at De La Salle University and as an independent curator. She also sings for a post-punk rock band called The Late Isabel. In the past few years she has based herself in Madrid, Barcelona and Cadaqués, Spain. Currently, Navarroza is working and living in Manila, Philippines.

Photograph by Gabby Cantero.

location

X
  • Born: Manila, Philippines
  • Based: Manila, Philippines

comments

X

skies and water the color of turquoise

Wawi Navarroza

2009 Durst Lambda photograph 5 in. x 7 in. Editions of 10 + 3 AP From the Perhaps It Was Possibly Because series

contributor

X

Wawi Navarroza

b. 1979
image description
  • See All Works

Wawi Navarroza is a photographer/multi-disciplinary artist from Manila, Philippines. She graduated with a Bachelor of Arts degree from De La Salle University, Manila and attended continuing education at the International Center of Photography, New York. Recently, Navarroza completed her scholarship at the Istituto Europeo di Design, Madrid under the program European Master of Fine Art Photography.

Her work with contemporary photography has taken shape in highly-stylized symbolic mise-en-scène and tableau vivants, shifting to her more recent interest in landscape, constructed still life, and installation. Her landscape photographs propose a familiar 'other place' that opens up to fabricated emotional space that seems to be carved out by both personal and collective memory and amnesia.

Navarroza has exhibited widely in the Philippines and internationally. She has participated at the 2012 Tokyo Month of Photography, presented by Tokyo Metropolitan Museum of Photography; the Asian Art Biennale, in Taichung, Taiwan (2011); the annual touring exhibition "CUT: New Photography from South East Asia," by Valentine Willie Fine Art (VWFA) Kuala Lumpur; ASEAN-Korea’s "Emerging Wave" Asian Contemporary Photography Exhibition in Seoul, Korea (2010); and "Verso Manila: contemporary art from the Philippines" in Turin, Italy (2009). She has also been shown at Angkor Photography Festival Cambodia, Noorderlicht Photography Festival Holland, and PhotoIreland.

Recent solo exhibits include "ULTRAMAR, Pt.1: Gathered Throng, Falling Into Place" (2012) and "Dominion" (2011), at Silverlens Gallery, Manila, and "On Landscapes and Some Dislocations" at Galería Patrick Domken, Cadaqués, Spain. She has received a number of awards, such as the Cultural Center of the Philippines' Thirteen Artists Awards Triennial (2012), Lumi Photographic Art Awards, Helsinki (2011), and she was a finalist for the prestigious Sovereign Asian Art Prize (2011) and Singapore Museum Signature Art Prize (2011). Other awards include International Photography Awards (2010), Portfolio Preis (2010, Germany), and Prix de la Photographie Paris (2009). She has staged two award-winning solo exhibitions: “POLYSACCHARIDE: The Dollhouse Drama” (2005) and “SATURNINE: A Collection of Portraits, Creatures, Glass, and Shadow” (2007), which was cited Winner at the Ateneo Art Awards 2007, Philippines. In 2009, Navarroza was awarded the first Asian Cultural Council-Silverlens Fellowship Grant to further her research and practice in New York City.

Her work has been shown in institutions such as the National Museum of the Philippines, Metropolitan Museum of Manila, Mongolian National Modern Art Gallery, Hangaram Museum, Korea, National Museum of Fine Arts, Taichung, Taiwan, and Fries Museum of Contemporary Art, Netherlands.

Navarroza has also worked as a lecturer of photography at De La Salle University and as an independent curator. She also sings for a post-punk rock band called The Late Isabel. In the past few years she has based herself in Madrid, Barcelona and Cadaqués, Spain. Currently, Navarroza is working and living in Manila, Philippines.

Photograph by Gabby Cantero.

location

X
  • Born: Manila, Philippines
  • Based: Manila, Philippines

comments

X