topic

Identities

"[I]nstead of thinking of identity as an already accomplished fact ... we should think, instead, of identity as a 'production', which is never complete, always in process, and always constituted within, not outside, representation" (p. 222). Stuart Hall’s injunction, from “Cultural Identity and Diaspora" (1990), asks us to consider the many, frequently disparate forces that shape individual identities.


As these works reveal, identity is never singular and frequently at odds with itself and its surroundings, a moment to moment creation that only partially captures the complexity of the whole. National origin and citizenship, migration, language, race, work status, gender, access to legal resources, class affiliation, “talents,” historical background, profession: these factors all collide to form overlapping selves, constituted in daily acts of self-representation.


As Filipinos move through global circuits of home, migration, and labor, they must negotiate not only their own sense of identity as "Filipino"; they must also contend with others’ projections, drawn from years of (mis)representation: that Filipinas are sexually perverse, that Filipino men are effeminate, that Filipinos are “natural” caretakers, that the Philippines is a “slave nation,” that Filipinos are punny. The works here examine the process, the complexity, the ambivalences, and the ambiguities through which Filipino identity comes to exist in the world.

Tulips Teeth (Drawing 2)

Farsad Labbauf

2007 Color pencil on paper. 20 in. x 16 in. Courtesy of the artist.

contributor

X

Farsad Labbauf

b. 1965

Farsad Labbauf (Persian: فرساد لباف ) is an Iranian artist living and working in the New York area. Best known for his linear figurative paintings, he immigrated to the US at thirteen. After enrolling in Rhode Island School of Design in 1982, Labbauf received his Bachelor of Fine Arts, followed by a second degree in Industrial Design. His linear figurative paintings are inspired in part by Persian calligraphy, tile works, and studies in Quantum physics, revealing his reverence for such ideas as Unity and Monism. The origins of Labbauf's work lie in Figurative Expressionism, a style he practiced for more than two decades, leading to the creation of his linear figurative painting style. His paintings have been featured in more than sixty group shows across the globe, including at the Saatchi Gallery in London and Ex Aurum Museum in Pescara, Italy. He has, in addition, been the subject of solo exhibitions in New York, NY; Boston, MA; Amsterdam, The Netherlands; Tehran, Iran; and the Esfahan Museum of Contemporary Art, Iran. Labbauf's work can be found in numerous public and private collections, including the Salsali Museum, Dubai; the Saatchi Gallery, London; Carsten de Boer Art Collection, Amsterdam; and the Museum of Contemporary Art, Esfahan.

 

Photograph by Linda Thompson. 

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

location

X
  • Born: Tehran, Iran
  • Based: New York, NY, USA

comments

X

Tulips Teeth (Drawing 3)

Farsad Labbauf

2007 Color pencil on paper. 20 in. x 16 in. Courtesy of the artist.

contributor

X

Farsad Labbauf

b. 1965

Farsad Labbauf (Persian: فرساد لباف ) is an Iranian artist living and working in the New York area. Best known for his linear figurative paintings, he immigrated to the US at thirteen. After enrolling in Rhode Island School of Design in 1982, Labbauf received his Bachelor of Fine Arts, followed by a second degree in Industrial Design. His linear figurative paintings are inspired in part by Persian calligraphy, tile works, and studies in Quantum physics, revealing his reverence for such ideas as Unity and Monism. The origins of Labbauf's work lie in Figurative Expressionism, a style he practiced for more than two decades, leading to the creation of his linear figurative painting style. His paintings have been featured in more than sixty group shows across the globe, including at the Saatchi Gallery in London and Ex Aurum Museum in Pescara, Italy. He has, in addition, been the subject of solo exhibitions in New York, NY; Boston, MA; Amsterdam, The Netherlands; Tehran, Iran; and the Esfahan Museum of Contemporary Art, Iran. Labbauf's work can be found in numerous public and private collections, including the Salsali Museum, Dubai; the Saatchi Gallery, London; Carsten de Boer Art Collection, Amsterdam; and the Museum of Contemporary Art, Esfahan.

 

Photograph by Linda Thompson. 

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

location

X
  • Born: Tehran, Iran
  • Based: New York, NY, USA

comments

X

Tulips Teeth (Drawing 4)

Farsad Labbauf

2007 Color pencil on paper. 20 in. x 16 in. Courtesy of the artist.

contributor

X

Farsad Labbauf

b. 1965

Farsad Labbauf (Persian: فرساد لباف ) is an Iranian artist living and working in the New York area. Best known for his linear figurative paintings, he immigrated to the US at thirteen. After enrolling in Rhode Island School of Design in 1982, Labbauf received his Bachelor of Fine Arts, followed by a second degree in Industrial Design. His linear figurative paintings are inspired in part by Persian calligraphy, tile works, and studies in Quantum physics, revealing his reverence for such ideas as Unity and Monism. The origins of Labbauf's work lie in Figurative Expressionism, a style he practiced for more than two decades, leading to the creation of his linear figurative painting style. His paintings have been featured in more than sixty group shows across the globe, including at the Saatchi Gallery in London and Ex Aurum Museum in Pescara, Italy. He has, in addition, been the subject of solo exhibitions in New York, NY; Boston, MA; Amsterdam, The Netherlands; Tehran, Iran; and the Esfahan Museum of Contemporary Art, Iran. Labbauf's work can be found in numerous public and private collections, including the Salsali Museum, Dubai; the Saatchi Gallery, London; Carsten de Boer Art Collection, Amsterdam; and the Museum of Contemporary Art, Esfahan.

 

Photograph by Linda Thompson. 

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

location

X
  • Born: Tehran, Iran
  • Based: New York, NY, USA

comments

X

Tulips Teeth (Drawing 5)

Farsad Labbauf

2007 Color pencil on paper. 20 in. x 16 in. Courtesy of the artist.

contributor

X

Farsad Labbauf

b. 1965

Farsad Labbauf (Persian: فرساد لباف ) is an Iranian artist living and working in the New York area. Best known for his linear figurative paintings, he immigrated to the US at thirteen. After enrolling in Rhode Island School of Design in 1982, Labbauf received his Bachelor of Fine Arts, followed by a second degree in Industrial Design. His linear figurative paintings are inspired in part by Persian calligraphy, tile works, and studies in Quantum physics, revealing his reverence for such ideas as Unity and Monism. The origins of Labbauf's work lie in Figurative Expressionism, a style he practiced for more than two decades, leading to the creation of his linear figurative painting style. His paintings have been featured in more than sixty group shows across the globe, including at the Saatchi Gallery in London and Ex Aurum Museum in Pescara, Italy. He has, in addition, been the subject of solo exhibitions in New York, NY; Boston, MA; Amsterdam, The Netherlands; Tehran, Iran; and the Esfahan Museum of Contemporary Art, Iran. Labbauf's work can be found in numerous public and private collections, including the Salsali Museum, Dubai; the Saatchi Gallery, London; Carsten de Boer Art Collection, Amsterdam; and the Museum of Contemporary Art, Esfahan.

 

Photograph by Linda Thompson. 

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

location

X
  • Born: Tehran, Iran
  • Based: New York, NY, USA

comments

X

Tulips Teeth (Drawing 6)

Farsad Labbauf

2007 Color pencil on paper. 20 in. x 16 in. Courtesy of the artist.

contributor

X

Farsad Labbauf

b. 1965

Farsad Labbauf (Persian: فرساد لباف ) is an Iranian artist living and working in the New York area. Best known for his linear figurative paintings, he immigrated to the US at thirteen. After enrolling in Rhode Island School of Design in 1982, Labbauf received his Bachelor of Fine Arts, followed by a second degree in Industrial Design. His linear figurative paintings are inspired in part by Persian calligraphy, tile works, and studies in Quantum physics, revealing his reverence for such ideas as Unity and Monism. The origins of Labbauf's work lie in Figurative Expressionism, a style he practiced for more than two decades, leading to the creation of his linear figurative painting style. His paintings have been featured in more than sixty group shows across the globe, including at the Saatchi Gallery in London and Ex Aurum Museum in Pescara, Italy. He has, in addition, been the subject of solo exhibitions in New York, NY; Boston, MA; Amsterdam, The Netherlands; Tehran, Iran; and the Esfahan Museum of Contemporary Art, Iran. Labbauf's work can be found in numerous public and private collections, including the Salsali Museum, Dubai; the Saatchi Gallery, London; Carsten de Boer Art Collection, Amsterdam; and the Museum of Contemporary Art, Esfahan.

 

Photograph by Linda Thompson. 

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

location

X
  • Born: Tehran, Iran
  • Based: New York, NY, USA

comments

X

Coat (Anti-Self-Portrait)

Laura Swanson

2005 Inkjet print. 20 in. x 30 in. Courtesy of the artist.

contributor

X

Laura Swanson

b. 1978
image description
  • See All Works
  • visit website

Born in Minneapolis, Laura Swanson received her MFA from the Rhode Island School of Design in 2011 and BFA from the San Francisco Art Institute in 2008. Her first solo exhibition was presented at the Laurie M. Tisch Gallery in New York in 2016. Her work has also been exhibited at the RISD Museum of Art, Camera Club of New York, and San Francisco Arts Commission Gallery, and internationally at Arsenal in Berlin, Germany; Media Art Gallery in Warsaw, Poland; and in South Korea at the Jeju Museum of Contemporary Art. In 2017, Swanson presented her first international solo exhibition at the Attenborough Arts Centre in Leicester, United Kingdom and debuted her first public art work at Socrates Sculpture Park in Long Island City, New York.

Swanson was a National Endowment for the Arts John Renna Scholar in 2008–2010, Jacob K. Javits Fellow in 2010–2011, and received a Wynn Newhouse Award from the Samuel I. Newhouse Foundation in 2013. Her work is held in collection at the Attenborough Arts Centre in Leicester, United Kingdom, and the Jeju Museum of Contemporary Art in Jeju, South Korea. She lives and works in New York.

Through photography, sculpture, and installation, Laura Swanson deconstructs and critiques representations of physical difference and how identity is created, perceived, and performed. Influenced by art history, commercial photography, critical theory, popular culture, retail display, social media, and personal experience, much of the work conceals the artist's identity and depicts her short statured body in playful ways to disrupt the dominance of normative representations of adult bodies in culture.

location

X
  • Born: Minneapolis, MN, USA
  • Based: New York, NY, USA

comments

X

White (Anti-Self-Portrait)

Laura Swanson

2007 Inkjet print. 30 in. x 20 in. Courtesy of the artist.

contributor

X

Laura Swanson

b. 1978
image description
  • See All Works
  • visit website

Born in Minneapolis, Laura Swanson received her MFA from the Rhode Island School of Design in 2011 and BFA from the San Francisco Art Institute in 2008. Her first solo exhibition was presented at the Laurie M. Tisch Gallery in New York in 2016. Her work has also been exhibited at the RISD Museum of Art, Camera Club of New York, and San Francisco Arts Commission Gallery, and internationally at Arsenal in Berlin, Germany; Media Art Gallery in Warsaw, Poland; and in South Korea at the Jeju Museum of Contemporary Art. In 2017, Swanson presented her first international solo exhibition at the Attenborough Arts Centre in Leicester, United Kingdom and debuted her first public art work at Socrates Sculpture Park in Long Island City, New York.

Swanson was a National Endowment for the Arts John Renna Scholar in 2008–2010, Jacob K. Javits Fellow in 2010–2011, and received a Wynn Newhouse Award from the Samuel I. Newhouse Foundation in 2013. Her work is held in collection at the Attenborough Arts Centre in Leicester, United Kingdom, and the Jeju Museum of Contemporary Art in Jeju, South Korea. She lives and works in New York.

Through photography, sculpture, and installation, Laura Swanson deconstructs and critiques representations of physical difference and how identity is created, perceived, and performed. Influenced by art history, commercial photography, critical theory, popular culture, retail display, social media, and personal experience, much of the work conceals the artist's identity and depicts her short statured body in playful ways to disrupt the dominance of normative representations of adult bodies in culture.

location

X
  • Born: Minneapolis, MN, USA
  • Based: New York, NY, USA

comments

X

Shower (Anti-Self-Portrait)

Laura Swanson

2008 Inkjet print. 20 in. x 30 in. Courtesy of the artist.

contributor

X

Laura Swanson

b. 1978
image description
  • See All Works
  • visit website

Born in Minneapolis, Laura Swanson received her MFA from the Rhode Island School of Design in 2011 and BFA from the San Francisco Art Institute in 2008. Her first solo exhibition was presented at the Laurie M. Tisch Gallery in New York in 2016. Her work has also been exhibited at the RISD Museum of Art, Camera Club of New York, and San Francisco Arts Commission Gallery, and internationally at Arsenal in Berlin, Germany; Media Art Gallery in Warsaw, Poland; and in South Korea at the Jeju Museum of Contemporary Art. In 2017, Swanson presented her first international solo exhibition at the Attenborough Arts Centre in Leicester, United Kingdom and debuted her first public art work at Socrates Sculpture Park in Long Island City, New York.

Swanson was a National Endowment for the Arts John Renna Scholar in 2008–2010, Jacob K. Javits Fellow in 2010–2011, and received a Wynn Newhouse Award from the Samuel I. Newhouse Foundation in 2013. Her work is held in collection at the Attenborough Arts Centre in Leicester, United Kingdom, and the Jeju Museum of Contemporary Art in Jeju, South Korea. She lives and works in New York.

Through photography, sculpture, and installation, Laura Swanson deconstructs and critiques representations of physical difference and how identity is created, perceived, and performed. Influenced by art history, commercial photography, critical theory, popular culture, retail display, social media, and personal experience, much of the work conceals the artist's identity and depicts her short statured body in playful ways to disrupt the dominance of normative representations of adult bodies in culture.

location

X
  • Born: Minneapolis, MN, USA
  • Based: New York, NY, USA

comments

X

Peggy Lee (Anti-Self-Portrait)

Laura Swanson

2008 Inkjet print. 20 in. x 30 in. Courtesy of the artist.

contributor

X

Laura Swanson

b. 1978
image description
  • See All Works
  • visit website

Born in Minneapolis, Laura Swanson received her MFA from the Rhode Island School of Design in 2011 and BFA from the San Francisco Art Institute in 2008. Her first solo exhibition was presented at the Laurie M. Tisch Gallery in New York in 2016. Her work has also been exhibited at the RISD Museum of Art, Camera Club of New York, and San Francisco Arts Commission Gallery, and internationally at Arsenal in Berlin, Germany; Media Art Gallery in Warsaw, Poland; and in South Korea at the Jeju Museum of Contemporary Art. In 2017, Swanson presented her first international solo exhibition at the Attenborough Arts Centre in Leicester, United Kingdom and debuted her first public art work at Socrates Sculpture Park in Long Island City, New York.

Swanson was a National Endowment for the Arts John Renna Scholar in 2008–2010, Jacob K. Javits Fellow in 2010–2011, and received a Wynn Newhouse Award from the Samuel I. Newhouse Foundation in 2013. Her work is held in collection at the Attenborough Arts Centre in Leicester, United Kingdom, and the Jeju Museum of Contemporary Art in Jeju, South Korea. She lives and works in New York.

Through photography, sculpture, and installation, Laura Swanson deconstructs and critiques representations of physical difference and how identity is created, perceived, and performed. Influenced by art history, commercial photography, critical theory, popular culture, retail display, social media, and personal experience, much of the work conceals the artist's identity and depicts her short statured body in playful ways to disrupt the dominance of normative representations of adult bodies in culture.

location

X
  • Born: Minneapolis, MN, USA
  • Based: New York, NY, USA

comments

X

T-Shirt (Anti-Self-Portrait)

Laura Swanson

2008 Inkjet print. 20 in. x 30 in. Courtesy of the artist.

contributor

X

Laura Swanson

b. 1978
image description
  • See All Works
  • visit website

Born in Minneapolis, Laura Swanson received her MFA from the Rhode Island School of Design in 2011 and BFA from the San Francisco Art Institute in 2008. Her first solo exhibition was presented at the Laurie M. Tisch Gallery in New York in 2016. Her work has also been exhibited at the RISD Museum of Art, Camera Club of New York, and San Francisco Arts Commission Gallery, and internationally at Arsenal in Berlin, Germany; Media Art Gallery in Warsaw, Poland; and in South Korea at the Jeju Museum of Contemporary Art. In 2017, Swanson presented her first international solo exhibition at the Attenborough Arts Centre in Leicester, United Kingdom and debuted her first public art work at Socrates Sculpture Park in Long Island City, New York.

Swanson was a National Endowment for the Arts John Renna Scholar in 2008–2010, Jacob K. Javits Fellow in 2010–2011, and received a Wynn Newhouse Award from the Samuel I. Newhouse Foundation in 2013. Her work is held in collection at the Attenborough Arts Centre in Leicester, United Kingdom, and the Jeju Museum of Contemporary Art in Jeju, South Korea. She lives and works in New York.

Through photography, sculpture, and installation, Laura Swanson deconstructs and critiques representations of physical difference and how identity is created, perceived, and performed. Influenced by art history, commercial photography, critical theory, popular culture, retail display, social media, and personal experience, much of the work conceals the artist's identity and depicts her short statured body in playful ways to disrupt the dominance of normative representations of adult bodies in culture.

location

X
  • Born: Minneapolis, MN, USA
  • Based: New York, NY, USA

comments

X